Non-Academic

2001 Interview with Joey Skaggs

by Tom Tenney on April 4, 2010

Digging around in my virtual shoeboxes to find material for a paper I’m writing on Culture Jamming, I found this interview I did with media prankster Joey Skaggs in 2001 for a tiny little short-lived zine called VIM, published by the artist Faith Pilger.  Skaggs had just presented PRANKS: THE ART OF JOEY SKAGGS at the UCB Theatre as a part of the 9th Annual Toyota Comedy Festival.  I was interested in talking with him about the relationship of his work to comedy.  Full text is below:

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Joey Skaggs

Joey Skaggs

Joey Skaggs,  is a storyteller, performer and artist who uses mass media as his canvas to reach audiences around the world. He has duped the world’s most respected news outlets with his fictional news stories for over 35 years, and shows no signs of stopping. I spoke with Joey at a cafe downstairs from his Soho apartment, a few days after his performance in the 9th Annual Toyota Comedy Festival.

TT: You began your presentation by saying “I’m not a comedian”, but in a sense, you are. You’re a satirist.

JS: (laughs) Well, but I don’t do ‘stand-up’

TT: Well, sure… but I thought it was an interesting idea to include you in the festival.  It’s like the producers are finally starting to realize that comedy means more than standup.

JS: I thought it was a brave and radical departure…. and I’m glad there was a turnout.  I was really impressed with the range of artists that were there [in the audience] because I think it shows the audience are all kinds of possibilities.  And there were all kinds of possibilities there… that were presented.  It was totally cool.

TT: For people who don’t know your work…what do you do?  How do you sum it up?

JS: It depends on what I think about the person who’s asking me (laughs). What I do is what I’ve always done and that is… I’m an artist, and I felt restricted by the way that the art scene, or the art world, is run, and I didn’t want to be limited to the censoring… and the acceptance, the timing… you know you have a show, or maybe a group show or maybe it’s going to be a theme show where you have to produce a work of art that goes along with that.  It’s all bullshit, so I didn’t want to be limited to that.  And there were so many social issues when I was growing up that I thought were really important and I felt that as a creative person, I could express what I thought about those issues creatively.  I didn’t want to just throw rocks through windows or do destructive things like that, because I didn’t think that was effective.  So, as an artist, I used the media as a medium, and I use deception, a lie, as a means of communicating.  And if you think about what art is… art is a lie.  Art is an illusion, art is a creation that is meant to deceive.
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Sweatshoppe Tonight at ISE Cultural Foundation

by Tom Tenney on March 18, 2010

Admittedly, I don’t know much about the ISE Cultural Foundation, nor even about their current exhibit: OUROBORUS: The History of the Universe which is having their opening party tonight from 6-8 PM.  What I do know is that the exhibit  created by video artist Ali  Hossaini in collaboration with  Sweatshoppe – aka multimedia artists Blake Shaw and Bruno Levy – a couple of geniuses who will, I guarantee, blow you away with what they are doing with video and sound.  According to the ISE’s site, the exhibition “tells the history of cosmic evolution by animating more than 30,000 found images in custom software that generates a holographic 3D environment. Compiling and processing the images requires hundreds of hours of effort and attention to detail on every frame of video.”

I had the pleasure of getting a live demo of their video art in Sweatshoppe’s Chelsea studio about a month ago, and I can promise you that whatever they do tonight will blow your mind – and at my age, that’s not something I get to say very often anymore.   Incidentally, Sweatshoppe will be also be performing in the RE/Mixed Media Festival on May 30th at Galapagos, so if you miss them tonight, you should definitely do so then.

In the meantime, here’s a vid to whet your appetite – a demo of “video wheat paste” – just one of the cool things they do:

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Playing the News

by Tom Tenney on March 15, 2010

My former Social Media Mashups prof, Josephine Dorado, presenting at the last IgniteNYC. Her project is ‘reACTor,’ news/gaming/activism/geolocation mashup. Pretty interesting.

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Big Media vs. Cookie Monster: Open Video & Sharing

by Tom Tenney on February 10, 2010

This is repost from my main blog, but completely relevant to media studies so I’m posting it here as well.

Some of you may have heard me complaining lately that I want to attend SXSW this year, but cannot for a variety of reasons – mostly limited funds.  Well, Open Video Alliance is holding a contest for a 60-second video, expressing “what open video means to you.”  My solution was to juxtapose media giants (Murdoch, Valenti) to Cookie Monster learning one of the first things we are taught about as kids: sharing.   As Adi at OVA said, “it’s very meta” which I think is GOOD if you want to try to make an all encompassing statement in less than a minute.  I actually borrowed the idea from my friend Elisa Kreisinger who suggested I remix the work of the other contestants (uber meta).  Ultimately, I felt the narrative was better served if I were able to use recognizable icons rather than simply snips of other underground filmmakers, although I did use a few. I used a CC licensed audio tack plus a number of the other contestants’ videos as sources for the remix.  Attributions are below the video.  Enjoy.

Music by Briareus.

Featuring source material from thesingingnerd, David Köhlmeier, papyromancer, Qasim Virjee, Josh Levy and MissMadDawg.

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De-Douching America

by Tom Tenney on August 2, 2009

Repost: originally posted on inc.ongruo.us

This weekend, I’m catching up on my Daily Shows & Colbert Reports that I missed while in SF. I just watched Wednesday’s Daily Show, and was blown away by “So You Think You Can Douche”, taking on the talking heads on cable news networks. It’s not that it was so much better than the typical Daily Show bit, but just that it seemed to encapsulate perfectly the ways in which TDS is an essential corrective to today’s media.

The segment made me think of Duchamp’s prediction that “the artist of the future will simply point his finger.” Although comically brilliant, there’s actually very little “comedy” writing in this piece…. it is its own absurdity that make it art. Stewart is simply putting a frame around the everyday, and pointing to our complacency (and complicity) with media that resorts to audio/visual stimuli and rhetorical tricks to subvert reason and present us with a version of reality that is almost Pirandellian.

What is Stewart pointing to, exactly?

* Hannity’s use of edit room technology to subvert reason and appeal directly to the emotions – exactly what news is NOT supposed to do. After showing Hannity’s montage of seemingly random Obama sound bites set to menacing background music, Stewart points out, simply: “That made no sense. Yet, still, for some reason I am angry and afraid. It’s as though anything you set to grainy footage and the soundtrack of The Omen seems menacing.” He then presents clips from “Dora the Explorer” with the same production trickery. Point made.

* He brilliantly deconstructs the language Lou Dobbs uses for the way it makes political inferences while disguised as unbiased reporting.

* Glenn Beck’s overt hypocrisy in saying Obama has “a deep-seated hatred for white people“, followed literally a minute later by the statement, “I’m not saying that he doesn’t like white people“. It seems almost too easy – yet Beck seems to be relying on the short attention spans and unwillingness of most Americans to actually THINK about the stories they are told. In this way, Stewart implicates all Americans in the douchery.

THIS is exactly why the Daily Show IS news, not “fake news.” My Oxford Dictionary defines “news” as:

“newly received or noteworthy information, esp. about recent or important events”

If we accept this definition, then certainly exposing the way the media twists the day’s events into propaganda is NEWS in and of itself – but who reports news on the news? Media CANNOT be exempt from the “events” that news is supposed to place under the microscope of critical examination. But isn’t it entertainment? Absolutely. But in this case, it’s not only that it informs AND makes us laugh (the “hybrid” model), it informs precisely BECAUSE it makes us laugh (an integral model?). By exposing the absurdity, it informs. If we don’t laugh, if we don’t “get it”, then we have not been informed.

I’ve said enough. Just watch the clip… it’s amazing.

The Daily Show With Jon Stewart Mon – Thurs 11p / 10c
So You Think You Can Douche
www.thedailyshow.com
Daily Show
Full Episodes
Political Humor Joke of the Day
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