Finding new UGC video sites is like shooting fish in a barrel these days. At least a couple times a month, a new one will pop up in the pages of Mashable, bub.blicio.us, or some other blog covering the social media space, and of course I love checking them all out. I can’t remember where, exactly, I first heard about Openfilm, but I do remember reading good things about it. Videomaker magazine even voted it the best video sharing site of 2008.
The first thing I always do on these sites, after I set up my profile, is upload a short video to test the waters. I invariably use something I call “Prayer“, which is simply an edited digital version of the 8mm movie of my parents 1958 wedding, with a beautful song entitled “Prayer” (by my uber talented friend Sylvia Mann) layed over it. This is my canary in the coalmine, so to speak. It’s a short video that can be uploaded quickly for assessing a site’s functionality, and it’s all legal – my video, permission for the music. done.
So off I went into the wilds of the site (which is both beautifully designed and scores high on usability), created my profile with the 6-year-old pic of me I also always use (I really gotta find a new one), and uploaded my video. When it finished uploading, I got the message that the video would appear after it had been reviewed by their moderation team. This is annoying but pretty common these days since big media have gone all sue-happy about copyrights. Anyway. I waited.
A couple days later, I received an email from their Content Review Department which said:
“Hello tomtenney,
Thank you for your recent submission, “Prayer.” We are happy to inform you that the video has been approved and will be published on your channel within 24 hours.
Congratulations! We look forward to seeing more of your work.
Best Regards,
The Openfilm Team”
Cool. I headed over to Openfilm to see how it fared in their player. Nothing. Not there. huh. Well, maybe it’s been approved but they guy who pushed the “make it visible” button is still at lunch. I gave it another few hours. Still nothing. At this point I’m starting to think they suck, but I have more important things to think about than yet another crappy social network.
Two days later, I’d almost forgotten about the site, when I received this email from Openfilm Service:
“Hello tomtenney,
We regret to inform you that your video Prayer hasn’t been published on Openfilm for the following reason:
While we welcome innovative and unconventional forms of filmmaking, we do require submissions to be complete, self-contained films or documentaries. This particular submission does not qualify for the site.
You can block receiving this notification by clicking here or visiting your account settings page.
Have fun exploring our site!
The Openfilm Team”
So, their “reason” was, essentially ‘we don’t like it’, therefore it doesn’t “qualify for the site”. This struck me not only exceedingly snobby, but also counter to the whole CONCEPT of UGC – which is to give people tools that allow them to express their voice, no matter what their personal aesthetic might be, moderated only by the yeas or nays of the public, that is to say, anyone who cares to watch or listen. Wasn’t the internet supposed to make gatekeepers obsolete? Isn’t that what MySpace and YouTube taught us? If we want the opinions of a tastemaker, we can still buy the New York Times or Rolling Stone, after all. And sharing sites certainly shouldn’t try to define art. Apparently, my little film was somehow ‘incomplete’ or wasn’t ’self-contained’. Hey, if you don’t like it, that’s fine, not everyone will – but please don’t try to tell me it’s not a film. It has video/audio/even NARRATIVE which many films don’t have – so how is it not art?? Hell, even if the film was of my cats puking on my slippers set to Flight of the Valkyries, there is someone out there who would love it. Probably most would bash it and “thumbs down” it to oblivion, but that’s FINE. Just as long as I get to show it.
Just this evening, out of curiousity, I checked out Openfilm’s “About Us” section, and found a little clue as to how a site with “open” in its name could be so douchy. Here’s a snippet:
“We are closing the gap created by sites where anyone can upload anything and sites that primarily showcase network TV and Hollywood movie content.‘”
ding! on goes the lightbulb! You guys aren’t a sharing site at all, but the proverbial wolf in sheep’s clothing. In just that one sentence you have shown your hand and revealed what you’re really up to. You want to be a video destination for “quality” content (thus your bogus definititon of art), but you have no content of your own and don’t want to pay artists or syndication fees, so you masquerade as a social network. How deliciously evil. But I have news: “the gap” exists for a reason, intrepid artists made the gap, and now you want to close it? So we’ve finally come full circle and the tools meant to set the artist free are being used to enslave her once again.
To all artists: I cannot urge you strongly enough. RESIST THIS. Do NOT let corporations continue to steal your money and your work. You should be making money, not them. Don’t let them dangle that carrot of “exposure”. It’s a trick – I promise.
Me: Tom Tenney: producer, performer, writer, community & social media professional, and student. As a result of wearing so many hats (and watching so much TV), I spend a lot of time thinking about the complex relationships between all of these things - art, culture, media, education… I am also a Sr. Producer of Community and Social Networking at VH1, and the founder of Toxic Pop, a weekly newsletter and online community for NYC performance artists.
{ 5 comments… read them below or add one }
Tom, I agree these guys are total a-holes. But, perhaps rather than encourage people to boycott them, you should do quite the opposite. Flood the fuckers with horrible, horrible work. They couldn’t possibly have the manpower to sort through it all, and they would be forced to post absolute crap, or change their policy to make the viewer interest more “democratic.”
Either way, you’d probably completely shut them down within a few weeks. All that nice design for naught.
Just a thought.
That is a great idea.
sick 4chan on them
Let me get this straight:
You uploaded an old wedding video to a site that clearly tells you it screens all submissions and puts up stuff that’s GOOD FILMS, and now you’re bitching about the fact that your home video wasn’t accepted?
Have you ever heard of a film festival? It also solicits submissions from filmmakers (even charges them) and only accepts what it deems good. So what exactly is your problem?
My stuff is on Openfilm and so is hundreds of other filmmakers’. They are implementing rev share and in Jan. they gave 10 people $500 each for their best work.
Oh, and as far as them not having their own content, I guess you didn’t notice the section OPENFILM ORIGINALS.
Please don’t write uninformed blogs about sites the rest of us like without doing the slightest bit of research. Maybe you should just talk to some actual Openfilm users.
~K
While I’m fairly sure the above comment was written by an Openfilm employee (they used a fake email address – wow, that’s not cowardly at all), I will address your uber-defensive post point-by-point. I am not saying, at all, that Openfilm doesn’t have the right to curate their submisstions, I’m saying that, in my opinion, it’s deceitful to try to play yourself off as being a “video sharing” site (or misrepresent yourself by using the name openfilm) when what you are is an online film festival.
“You uploaded an old wedding video to a site that clearly tells you it screens all submissions and puts up stuff that’s GOOD FILMS, and now you’re bitching about the fact that your home video wasn’t accepted?”
Not at all. Again, I’m bitching that you made a judgement that my submission was either unsbustantial or incomplete. The film wasn’t simply a “home movie”, although you do not define what you mean by that – “home” as opposed to a studio-made movie? That would include *everything* on openfilm – can’t anything made on a personal digital camera be defined as a “home movie”? I would argue that it is a home movie remixed – with contemporary music adding another layer of meaning and altering the original narrative. Yes, the picture is grainy – home movie quality, in fact – but that’s the point. It was shot in 1958, and the graininess points out it’s age, and that it was shot in a different time. This is a technique used by *many* movies and video art. And again, the film had a narrative, it told a story with a beginning, middle and end. How is this incomplete?
“My stuff is on Openfilm and so is hundreds of other filmmakers’. They are implementing rev share and in Jan. they gave 10 people $500 each for their best work.”
But you don’t tell us what kind of cpm’s you’re claiming on these videos. Do you even tell the film makers? After all, they are rev share “partners”, so they should be informed. My guess is that it’s pretty low, which makes sense in the aggregate for Openfilm, but little sense for the average filmmaker. How much does one “earn”, on average, on your site? I’d be interested to find out.
“Oh, and as far as them not having their own content, I guess you didn’t notice the section OPENFILM ORIGINALS.”
I’m glad you brought this up, because this is where Openfilm becomes laughably ridiculous. I did go back to the site, and had to *search* for the Originals section (it’s not highlighted *anywhere* on the home page). What I found were the most amateuerish, unfunny, “home movies” – like this one, listed under “comedy”:
http://www.openfilm.com/videos/jogging_trail/
Now “comedy” is an area where I *am* something of an expert, having spent several years as the talent booker at a large midwestern comedy club, I have judged comedy competitions and been on panels discussing comedy and performance. This video displays virtually no talent in comedy writing, performance, or filmmaking. I have seen short films at open mics better than this one, and yet this is what you guys are holding up as the shining example of the kind of “quality” you are looking for? I will let others watch the video and decide for themselves, but for myself, watching this “original” suddenly made me feel MUCH better about Openfilm’s judgement of art. If the people who made *that* piece of crap don’t like my film, I’m obviously doing something right.